Here are a few typical scenarios for the most common profiling setups:
Connect your guitar to the INPUT jack of the KPA.
Connect the DIRECT OUTPUT/SEND of the KPA to the guitar input of your hardware amplifier.
Connect your microphone or microphone preamp to the RETURN INPUT jack of the KPA (use either the
XLR or quarter-inch input depending on your microphone or microphone preamp)
The above assumes that you are miking the speaker cabinet connected to your reference amp. If you are
taking a direct, cabinet-simulated output either from the amp itself, or from a speaker load box such as the
Hughes & Kettner Redbox or Palmer boxes, you can connect the line-out from a load box directly to the
RETURN INPUT of your KPA.
The reference amp that you want to profile has to be connected to the KPA in such a way that only the
KPA will send and receive the signals. This effectively turns the KPA into a monitoring device.
Avoid any other connections that might lead to confusion and end up corrupting the results. For example,
if you want to use several microphones with your reference amp you should route the signals of these
microphones to a subgroup of your mixer, and then route the output of that subgroup directly to the PRO-
FILING INPUT . You can use the EQ and phase switches on the mixer to optimize the mix. Make sure that
the signal is only routed to the KPA and isn’t duplicated at the main outs of the mixer.
кемпер берет весь профиль с микрофонного сигнала - , как он их разъединяет , загадко