От куда инфа то? Я слышу обычный семплерный бас. Особенно выдаёт подъезд. Понятно что там лееринг есть с синтезом, но основа семплерная явно.
Можно ли создать бас на VST
- Автор темы Константин Викторович
- Дата начала
От куда инфа то? Я слышу обычный семплерный бас. Особенно выдаёт подъезд. Понятно что там лееринг есть с синтезом, но основа семплерная явно.
@Sunshineman, да нет никакой инфы. Вот кусочек из интервью с продюсером:
DK: On your current hit, “Don’t Start Now” for Dua Lipa, it’s a got a great bass line and track. Is that you playing those parts?
Kirkpatrick: Yeah, those parts are me. The bass sounds live, but it’s actually midi. I grew up on Daft Punk, the Bee Gees and some cool European DJs, so those bass lines are ingrained in my soul. It’s like my favorite mix of disco and Euro-funk stuff. Also, with the wonderful world of midi, you don’t have to be the best bass player. You can play it [rough] on keyboard, and go in and fix it. I’m definitely not the best musician, but I can hear it in my head and make it happen with midi.
Нет никакого уточнения, но я на 99% уверен, что это Контакт.
DK: On your current hit, “Don’t Start Now” for Dua Lipa, it’s a got a great bass line and track. Is that you playing those parts?
Kirkpatrick: Yeah, those parts are me. The bass sounds live, but it’s actually midi. I grew up on Daft Punk, the Bee Gees and some cool European DJs, so those bass lines are ingrained in my soul. It’s like my favorite mix of disco and Euro-funk stuff. Also, with the wonderful world of midi, you don’t have to be the best bass player. You can play it [rough] on keyboard, and go in and fix it. I’m definitely not the best musician, but I can hear it in my head and make it happen with midi.
Нет никакого уточнения, но я на 99% уверен, что это Контакт.
На хорошем мониторе слышно что подъезд там сэмпл, а основная тема синтез. Подъезд и остальные ноты там 2 разных звука.
@gene, ну и как связаны студийная версия с лайвом? Я же выше кидал интервью:
Так что это точно софт, вот только
Откуда такая информация? Я нигде не нашел упоминания конкретного плагина.
Kirkpatrick: Yeah, those parts are me. The bass sounds live, but it’s actually midi.
Откуда такая информация? Я нигде не нашел упоминания конкретного плагина.
Это не автор аранжировки, просто чел показывает как примерно сделана эта песня. По звучанию к стати очень далеко от оригинал на мой взгляд.
Тогда пардон. Был неверно осведомлён. Хотя мне кажется, что бас звучит похоже.
Ну к стати MODO BASS звучит очень прикольно, для физ моделирования. Но вот прикиньте, на разработку MODO BASS ушло 8 лет, ну как такое накрутить на простом синтезаторе...
У
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Это Trillian, скорее всего. Именно дорожка TrillAsBitch вообще звучит как dx7.
Если вдруг кому интересно, Йен проводил стрим с разбором Don't Start Now, и это оказался старенький
www.native-instruments.com
с подложенным под него синусом. Как всегда, все гениальное просто 
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SCARBEE MM-BASS
SCARBEE MM-BASS is based on the highly-regarded Scarbee Black Bass created by accomplished bassist and producer Thomas Hansen Skarbye and inspired by the sound of Bernard Edwards (Chic).
www.native-instruments.com
.
@Константин Викторович, мне просто интересно, а смысл синтезировать, если есть "а-ля"?
Под живьё использую:
www.ilyaefimov.com
www.ilyaefimov.com
www.ilyaefimov.com
scarbee.com
scarbee.com
Иногда корговский М1 даёт нужные патчи.
Но, частенько, 2-3 библы сразу. Например модерн Ефимова, J и MM от Scarbee.
Под живьё использую:
Modern Bass
Classic Bass
Retro Bass
Scarbee MM-Bass
Classic 70s warm and creamy fingered electric bass sound inspired by legendary Bernard Edwards of Chic and recorded DI. KONTAKT 5 Virtual Instrument.
scarbee.com
Scarbee Jay-Bass
Highly versatile, perfectly sampled slapped and finger-played bass from Scarbee. Features the sounds of a late 70s Jazz Bass. KONTAKT 5 Virtual Instrument.
scarbee.com
Иногда корговский М1 даёт нужные патчи.
Но, частенько, 2-3 библы сразу. Например модерн Ефимова, J и MM от Scarbee.
Последнее редактирование:
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Забавно было что я тогда выложил кусок из оригинального мультитрека, но, ТС не оценил, как видно)
Этот кусок в оригинале не основной бас, а как синтезаторный, который подмешан к фингер басу в определённых частях песни.
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Ну надо было видимо "Finger" в кавычки взять, но мугом имитировался именно он.
@Константин Викторович, в треке есть основной бас - мм-бас + синус, и синтовый бас, который иногда дублирует основной - трилиан. Внес ясность?
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wrote "Don't Start Now" with the same team who wrote her 2017 single "New Rules": Caroline Ailin, Emily Warren and Ian Kirkpatrick.[1] The song first came about after the A&R head at Lipa's record label, Joe Kentish, challenged Kirkpatrick in late 2018 to recreate the success of "New Rules".[2] The first writing session at Warren's home in Wyoming was unproductive.[3] Kirkpatrick also worked with producer J Kash, inviting several writers to help find a sound for the track which became a back-and-forth between 1980s and disco music.[2] They contemplated emulating music by Madonna, and created more than 10 reference tracks for Lipa to sample and choose from.[4] The song was eventually written with Lipa in January 2019.[2]
The cowbell used on the track was present on the first demo and inspired by music by Two Door Cinema Club. Kirkpatrick based it on Lipa's phrasing in the chorus.[2] According to him, the strings are a combination of Kontakt Session Strings, "some weird Nexus 1970s string patch", and live strings.[3] Although "Don't Start Now"'s bassline sounds live, Kirkpatrick created it with MIDI. It was influenced by similar basslines used by the Bee Gees and Daft Punk that he had listened to growing up.[5] Kirkpatrick used a Scarbee MM-Bass plug-in for the leading bass sound and played it on a keyboard before modifying it. He wanted to eschew disco for a more 1990s sound in the pre-chorus by adding sub-bass combined with thumb bass guitar and slaps in the drop from Trilian.[3]
Lipa recorded most of her vocals with a Shure SM7 microphone. Kirkpatrick said he understood the song better after Lipa sang it and was told by Kentish that the bridge sounded like an "after-thought". He thus spent a further two weeks completing the track before sending stems to Josh Gudwin for mixing. To improve the bridge, Kirkpatrick added a "vocal chop", and extra drums inspired by "Can't Feel My Face" by The Weeknd. He recalled, "The first version of the drums didn't sound as fat. I was worried that the song would sound too disco, too classic. It needed something new, to make it the perfect mix of old and new." Kirkpatrick had a separate project for the chord progression before the drop to help him decide which combination of piano and synths to use. For this section, he went through 25 different sounds and incorporated them into four. His final rough mix included nearly 100 tracks.[3] Kirkpatrick sent the final version to Lipa when she was attending the Glastonbury Festival in June 2019.[6]
The cowbell used on the track was present on the first demo and inspired by music by Two Door Cinema Club. Kirkpatrick based it on Lipa's phrasing in the chorus.[2] According to him, the strings are a combination of Kontakt Session Strings, "some weird Nexus 1970s string patch", and live strings.[3] Although "Don't Start Now"'s bassline sounds live, Kirkpatrick created it with MIDI. It was influenced by similar basslines used by the Bee Gees and Daft Punk that he had listened to growing up.[5] Kirkpatrick used a Scarbee MM-Bass plug-in for the leading bass sound and played it on a keyboard before modifying it. He wanted to eschew disco for a more 1990s sound in the pre-chorus by adding sub-bass combined with thumb bass guitar and slaps in the drop from Trilian.[3]
Lipa recorded most of her vocals with a Shure SM7 microphone. Kirkpatrick said he understood the song better after Lipa sang it and was told by Kentish that the bridge sounded like an "after-thought". He thus spent a further two weeks completing the track before sending stems to Josh Gudwin for mixing. To improve the bridge, Kirkpatrick added a "vocal chop", and extra drums inspired by "Can't Feel My Face" by The Weeknd. He recalled, "The first version of the drums didn't sound as fat. I was worried that the song would sound too disco, too classic. It needed something new, to make it the perfect mix of old and new." Kirkpatrick had a separate project for the chord progression before the drop to help him decide which combination of piano and synths to use. For this section, he went through 25 different sounds and incorporated them into four. His final rough mix included nearly 100 tracks.[3] Kirkpatrick sent the final version to Lipa when she was attending the Glastonbury Festival in June 2019.[6]