хм, понять бы еще его место в их эко системе при существующем Punctuate
Вести с полей о муз софте (2 онлайн)
- Автор темы Kilgor Traut
- Дата начала
Напомнил мне концепцию старого доброго Enveloper в Logic ) Только можно сказать более продвинутый.
Работает кстати афигенно, я часто пользуюсь, в основном на бочке
Два новых плугина от Acon Digital - Remix Drums и DeBleed Drums (drum separation & mic spill removal)
Price: RemixDrums 49$ \ DeBleedDrums 99$ \ Оба плугина в виде Drum Production Suite 119$
+ На мыло AD юзерам был выслан персональный купон на скидку 20%
https://acondigital.com/products/remix-drums
https://acondigital.com/products/debleed-drums
Price: RemixDrums 49$ \ DeBleedDrums 99$ \ Оба плугина в виде Drum Production Suite 119$
+ На мыло AD юзерам был выслан персональный купон на скидку 20%
https://acondigital.com/products/remix-drums
https://acondigital.com/products/debleed-drums
Последнее редактирование:
OOMPH
OOMPH is a multi-band dynamic enhancement plugin, designed to maximize the punch, clarity, and impact of your sounds. By splitting the audio signal into 4 flexible bands, you can independently enhance frequency zones, controlling their saturation, balance, dynamics, and stereo width. OOMPH is...
schulz.audio
Вложения
ssl meter pro
start price 62.5$ (199$ regular)
start price 25$ (uf1, uf8, uc1 users)
start price 62.5$ (199$ regular)
start price 25$ (uf1, uf8, uc1 users)
Так он еще и платный??? За Люфсы еще и платить надо??? Я думал его бесплатно проапдейтят, добавив то, что тупо забыли. нафиг…
Разработчики гарантируют моно совместимость, но если я правильно понял, то расширение происходит с помощью эффекта Хааса, что может вызвать фазовые искажения при использовании на разных полосах.OOMPH
OOMPH is a multi-band dynamic enhancement plugin, designed to maximize the punch, clarity, and impact of your sounds. By splitting the audio signal into 4 flexible bands, you can independently enhance frequency zones, controlling their saturation, balance, dynamics, and stereo width. OOMPH is...
IK Multimedia TONEX - Brown Sound 78/79 - https://www.ikmultimedia.com/products/tonex-brown-sound-7879/
Intro price - 79$ за "50 профилей"
The Brown Sound 78/79 is the first in a limited series of three exceptional TONEX Signature Collections, diving deep into the legendary guitar tones that helped define modern rock. Using period-correct gear and an obsessive attention to detail, this collection features 50 Tone Models that capture the unmistakable sound of the rock icon’s first two groundbreaking albums.
Every decision behind the Brown Sound 78/79 was made to capture not just the gear, but also the attitude, the feel, and the raw sonic blueprint of a genre-defining moment in rock history. With a mix of confirmed and speculated setups, including alternate speakers such as the 4x12 combo cab loaded with two vintage JBL D120s and two 25W Greenbacks, these Tone Models deliver stunning accuracy and creative flexibility. Complete the experience with Sunset Sound Studio Reverb and recreate the tone that changed guitar forever.
A big part of that sound comes from the Fat Cap mod, a custom tweak to the preamp’s second gain stage that increases low-frequency gain and creates that signature chewy midrange and hair on every note. Combined with a 50K mid pot (which shifts the EQ balance toward a more vocal, aggressive midrange), as found on the legendary #12301 Plexi, the amp punches with the exact presence and attitude heard on the earliest Brown Sound recordings
A 100K NFB (Negative Feedback Resistor) from a 4Ω tap was added to the amplifier to further refine the distortion characteristics, making the tone a little bigger and bolder, just like those early recordings.
Under the hood, Heyboer transformers (faithful recreations of the original Dagnall iron) deliver the correct dynamics and feel that only properly wound vintage-style transformers can. These aren’t just clones; they’re the backbone of the amp’s response and harmonic complexity.
The internal amp bias was maxed out and captured using several different Variac™ settings: 68, 89, and 78 volts. For the ′78 Tone Models, we used 78V and 89V and ran through all cab configurations, allowing you to hear and feel the various combinations of voltages and speakers.
We removed output tubes 4 and 5 to push things even further, breaking the traditional push/pull topology and producing an asymmetrical “pull-only” distortion, giving ′78 captures their signature bite, bloom, and angry edge. At 89 V, the amp tightens up with a little less gain, while 78 V makes the amp more spongy with a tad more gain, perfect for tapping and fiery leads.
For the ′79 captures, we used all 4 output tubes and set the Variac to 68 V amp, which gives you a meaner but slightly clearer sound heard throughout the album. You will notice the amp starts to breathe, but still delivers a natural amp compression that glues together legato notes.
For players who want a bit more edge, we’ve included alternate “Hot” Tone Models, created by driving the analog mic preamp harder to add extra gain and saturation, just like what you hear on many early recordings.
Intro price - 79$ за "50 профилей"
The explosive tones of two iconic albums
The Brown Sound 78/79 is the first in a limited series of three exceptional TONEX Signature Collections, diving deep into the legendary guitar tones that helped define modern rock. Using period-correct gear and an obsessive attention to detail, this collection features 50 Tone Models that capture the unmistakable sound of the rock icon’s first two groundbreaking albums.
Every decision behind the Brown Sound 78/79 was made to capture not just the gear, but also the attitude, the feel, and the raw sonic blueprint of a genre-defining moment in rock history. With a mix of confirmed and speculated setups, including alternate speakers such as the 4x12 combo cab loaded with two vintage JBL D120s and two 25W Greenbacks, these Tone Models deliver stunning accuracy and creative flexibility. Complete the experience with Sunset Sound Studio Reverb and recreate the tone that changed guitar forever.
Collection Overview
- 50 exceptional Tone Models for use across the entire TONEX ecosystem
- Based on a ′68 Marshall® Super Lead modified to serial number #12301 specs
- Models feature multiple 1960 Marshall cabs with different speakers
- Details include running the signal through specific pedals and a Vega wireless
- Captured using period spec studio gear, just like the original recordings
- Created using AI Machine Modeling™ technology with advanced training
- Compatible with all TONEX software versions, including the free TONEX CS
- Tone Models can easily be loaded to TONEX pedals for live performance
The amp: “The ONE”
At the heart of the Brown Sound 78/79 collection is “The ONE” — a meticulously crafted Marshall-style amp built from the ground up with the exact same spec as the infamous 1968 Super Lead serial number #12301, including crucial mods that capture the DNA of the early brown sound like no other amp model.A big part of that sound comes from the Fat Cap mod, a custom tweak to the preamp’s second gain stage that increases low-frequency gain and creates that signature chewy midrange and hair on every note. Combined with a 50K mid pot (which shifts the EQ balance toward a more vocal, aggressive midrange), as found on the legendary #12301 Plexi, the amp punches with the exact presence and attitude heard on the earliest Brown Sound recordings
A 100K NFB (Negative Feedback Resistor) from a 4Ω tap was added to the amplifier to further refine the distortion characteristics, making the tone a little bigger and bolder, just like those early recordings.
Under the hood, Heyboer transformers (faithful recreations of the original Dagnall iron) deliver the correct dynamics and feel that only properly wound vintage-style transformers can. These aren’t just clones; they’re the backbone of the amp’s response and harmonic complexity.
Voltage controlled
TONEX’s advanced AI technology captures the true character of any amp as well as its organic feel and response to changes in voltage and bias. TONEX perfectly captures the saggier response and thicker gain produced when the voltage drops and tubes are starved for voltage.The internal amp bias was maxed out and captured using several different Variac™ settings: 68, 89, and 78 volts. For the ′78 Tone Models, we used 78V and 89V and ran through all cab configurations, allowing you to hear and feel the various combinations of voltages and speakers.
We removed output tubes 4 and 5 to push things even further, breaking the traditional push/pull topology and producing an asymmetrical “pull-only” distortion, giving ′78 captures their signature bite, bloom, and angry edge. At 89 V, the amp tightens up with a little less gain, while 78 V makes the amp more spongy with a tad more gain, perfect for tapping and fiery leads.
For the ′79 captures, we used all 4 output tubes and set the Variac to 68 V amp, which gives you a meaner but slightly clearer sound heard throughout the album. You will notice the amp starts to breathe, but still delivers a natural amp compression that glues together legato notes.
Cabs: Built to shape the sound
Speaker choice was everything. We captured several classic and hybrid cab setups, each chosen for its unique role in crafting the tones of the era. Some combinations replicate known rigs, while others explore options players and experts speculate were used in-studio. Each cabinet was captured using a variety of voltages to provide a spectrum of feel (from tight and punchy to spongy and loose), tailoring the sag and compression like on the records.Captured Cabinets:
- Marshall 1960A loaded with Celestion G12M 25W Blackbacks (75 Hz)
- Marshall 1960A with Celestion G12M 25W Greenbacks (75 Hz)
- Marshall 1960A with Celestion G12EVH / Heritage 20W Greenbacks (75 Hz)
- Marshall 1960B “Peeled” combo cab loaded with two 25W Greenbacks (75 Hz) and two JBL D120 speakers
Studio Magic: Captured like an album
Every cab was miked with classic SM57s and run through a vintage-style analog console to capture the recorded vibe as authentically as possible. Each tone was sculpted like a real studio mix, and the results come frighteningly close to the album sound. Plug in a guitar with PAF-style pickups and you’ll feel like you’ve stepped into Sunset Sound Studios circa ′78/′79. A few captures were created using a U67 placed further back to increase resonance and soften the top end, making them perfect for double tracking with brighter, more articulate tones.For players who want a bit more edge, we’ve included alternate “Hot” Tone Models, created by driving the analog mic preamp harder to add extra gain and saturation, just like what you hear on many early recordings.
Signal chain: Secret sauce included
Beyond the amp and cab, the front-end signal was run through the exact vintage pedals used in the original recordings, even when bypassed, to retain their subtle but crucial tonal imprint.Signal chain:
- Vega Wireless system (used on several ′79 captures)
- 1977 MXR MX117 Flanger
- Mid-′70s MXR MX101 Script Logo Phase 90
- 1970s Maestro Echoplex EP-3
- 70 feet of Belden 8410 & 8412 guitar cable (for realistic high-end rolloff and cable capacitance)
The Vega wireless touch
Several captures using the Vega Wireless system are included. Many players famously used it, even in the studio, for its slight compression and subtle tone thickening. This collection contains Tone Models with and without the Vega, allowing you to dial in either approach. The transmitter was captured with 3 gain levels, providing standard and 2 lower gain settings. This cleans up hotter pickups and adds more articulation to your sound.Behind the collection
Jim Gaustad’s obsession with guitar sound began in the late ′70s, sparked by hearing Van Halen’s debut album. From gigging professionally at age 12 to touring nationally with original bands in the ′80s, Jim was always chasing the perfect sound, rebuilding amps on the road, modifying vintage Marshalls, and crafting custom pickups from spare parts. His relentless pursuit of authentic tone led to the formation of The G Men, a no-gimmick Van Halen tribute band known for replicating the original gear and sound. After Ed’s passing, Jim launched the Brown Sound Quest on YouTube, diving deep into vintage circuits, studio techniques, and signal chains to honor the sonic legacy that inspired it all.Key amp specs include:
- Heyboer Transformers (Dagnall clones)
- 6CA7 Output Tubes
- Sylvania 12AX7 Preamp Tubes
- 50K mid-pot
- Split cathode on V1a (250µF/820Ω) and V1b (.68µF/820Ω)
- All coupling caps: 0.022µF
- Bright channel coupling cap: 0.0022µF
- 470K mixer resistors
- 500pF red tubular mixer bypass cap
- Fat Cap mod: .68µF and 250µF on V2a
- Tone stack: 33k/560pF Lemco combo
- 100K NFB resistor from 4Ω tap
- 220K bias splitter resistors
- 0.1µF cap on presence control
- 0.022µF output couplers
Power filtering:
- [2] 100µF F&T (mains)
- [2] 32µF F&T (screens)
- [1] 100µF LCR (phase inverter)
- [1] Dual 33µF x 33µF F&T (preamp)
После многих лет работы с лицензиями программного обеспечения Steinberg, система лицензирования на основе eLicenser будет окончательно закрыта 20 мая 2025 года. В 2022–2023 годах её постепенно сменила новая система Steinberg Licensing, основанная на ID.
Эта система уже полностью внедрена во всех актуальных продуктах Steinberg и предлагает возможности, которые были недоступны при старом подходе.
Эта система уже полностью внедрена во всех актуальных продуктах Steinberg и предлагает возможности, которые были недоступны при старом подходе.
Boss выпустил свои педали в софте
По подписке…
https://www.roland.com/global/products/rc_boss_effects_pedals
По подписке…
https://www.roland.com/global/products/rc_boss_effects_pedals
Оггого))
UA releases A-Type Multiband Dynamic Enhancer UAD Plug-in
https://www.uaudio.com/products/a-type-multiband-dynamic-enhancer
Available exclusively for Apollo and UAD hardware, new plug-in unlocks secret enhancement tricks used on decades of iconic vocal recordings
Universal Audio Inc. (UA), a worldwide leader in audio production tools, is proud to introduce A-Type Multiband Dynamic Enhancer, a UAD plug-in that delivers the first and only end-to-end emulation of the vintage multiband “compansion” processor famous for instantly pushing vocals straight to the front of any mix.
Exclusively available for Apollo audio interfaces and UAD hardware, the UAD A-Typeplug-in brings the iconic Air, Excite, and Expand effects used on classic albums from Queen and AC/DC to Journey and Fleetwood Mac.* Plus, creators can get explosive compression effects with Crush and Gated modes, noise reduction decoding, and plug-in only features with the circuit mods panel.
“A-Type was the secret vocal processor behind countless hit records," says Lev Perrey, VP of Product at Universal Audio. “With the UAD plug-in, we’ve authentically captured its magical sound, and we're excited to give Apollo creators an entirely new tool that goes beyond the original hardware for their modern productions."
A-Type Multiband Dynamic Enhancer – $199 MSRP USD
The A-Type Multiband Dynamic Enhancer plug-in is an authentic emulation of the multiband “compansion” processor that was originally used to reduce tape hiss in professional multitrack studios. It eventually became a secret weapon used on iconic pop and rock recordings for its ability to add clarity and presence to vocals.
Key Benefits:
UA releases A-Type Multiband Dynamic Enhancer UAD Plug-in
https://www.uaudio.com/products/a-type-multiband-dynamic-enhancer
Available exclusively for Apollo and UAD hardware, new plug-in unlocks secret enhancement tricks used on decades of iconic vocal recordings
Universal Audio Inc. (UA), a worldwide leader in audio production tools, is proud to introduce A-Type Multiband Dynamic Enhancer, a UAD plug-in that delivers the first and only end-to-end emulation of the vintage multiband “compansion” processor famous for instantly pushing vocals straight to the front of any mix.
Exclusively available for Apollo audio interfaces and UAD hardware, the UAD A-Typeplug-in brings the iconic Air, Excite, and Expand effects used on classic albums from Queen and AC/DC to Journey and Fleetwood Mac.* Plus, creators can get explosive compression effects with Crush and Gated modes, noise reduction decoding, and plug-in only features with the circuit mods panel.
“A-Type was the secret vocal processor behind countless hit records," says Lev Perrey, VP of Product at Universal Audio. “With the UAD plug-in, we’ve authentically captured its magical sound, and we're excited to give Apollo creators an entirely new tool that goes beyond the original hardware for their modern productions."
A-Type Multiband Dynamic Enhancer – $199 MSRP USD
The A-Type Multiband Dynamic Enhancer plug-in is an authentic emulation of the multiband “compansion” processor that was originally used to reduce tape hiss in professional multitrack studios. It eventually became a secret weapon used on iconic pop and rock recordings for its ability to add clarity and presence to vocals.
Key Benefits:
- Add the iconic Air, Excite, and Expand effects used on vocal recordings by Queen, Stevie Wonder, The Cars, Fleetwood Mac, and more*
- Get the only end-to-end A-Typeemulation, built for flawless latency-free tracking and mixing with Apollo interfaces
- Engage Crush and Gated modes to get gritty analog textures or classic ’80s gated effects on drums and instruments
- Go far beyond the original hardware with the circuit mods panel, giving you custom expansion to transient shaping, subharmonic effects, and more
у меня может какая-то урезанная версия))) никакого мультибенда нет (эквалайзер, компрессор, реверберация)
На вашем скриншоте в модуле dynamics (модуль называется dynamics, а не compressor, чуть внимательнее читайте) все эти алгоритмы есть
Даже в описании к плагину ясно написано про наличие a-type эффекта
Вас даже не смутило наличие трех одинаковых режимов: air, crush, gated…
Даже в описании к плагину ясно написано про наличие a-type эффекта
Вас даже не смутило наличие трех одинаковых режимов: air, crush, gated…
А вот ещё один, который ещё раньше Допамина кажется появился. Сейчас не на скидках, но они периодически бывают:
Type A - Dolby A Trick Plugin - Vintage Enhancer (VST)
Type A is a plugin inspired by the famous Dolby A Trick technique. It emulates the encode stage dynamically increasing the top end of a signal.
www.audiothing.net
А вот ещё один, который ещё раньше Допамина кажется появился. Сейчас не на скидках, но они периодически бывают:
Type A - Dolby A Trick Plugin - Vintage Enhancer (VST)
Type A is a plugin inspired by the famous Dolby A Trick technique. It emulates the encode stage dynamically increasing the top end of a signal.
Воувоу))
У них еще и type-b есть на основе aphex aural exciter)
www.audiothing.net
Интересный вендор)
У них еще и type-b есть на основе aphex aural exciter)
Type B - Vintage Exciter Plugin (VST, VST3, AU, AAX) - AudioThing
Type B is a plugin inspired by the Aphex Aural Exciter. This plugin is designed to add presence and brightness to vocal or instrument tracks.
www.audiothing.net
Интересный вендор)
Не нашёл ничего в описании ничего конкретного про "Dolby A Trick". Как "мафон" - да, Satin штука давно известная.
Они вообще очень крутые. У них классные плагины на базе импульсов и пр. Ну они такие, по большей части эксперементальные) я их на йпад покупаю в основном)