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До сих пор они не научили свои плагины по-человечески работать с опенгл. Ставишь галочку и начинаются подвисания, фризы, дёрганный фейс. Рукожопы..
Они где-нить выкладывают новые пресеты для своих плагинов? К примеру, eden 800 что шесть лет назад версия, что последняя - обе с одним и тем же куцым набором пресетиков, неужели за столько лет они не сделали новых?
Our Weiss DS5 Multiband Compressor is the highly requested evolution of the industry’s top mastering processor: the award-winning Weiss DS1-MK3. Together with Weiss Engineering, we’re proud to bring you five full line-by-line code-ported Weiss DS1s, one per band. A feat impossible in hardware form. Modernized and fully loaded with professional presets from Bob Katz, Philippe Weiss, Maor Appelbaum, and Jonathan Wyner, our Weiss DS5 Multiband Compressor gives you complete control over compression across specific frequency ranges, in mastering, and on mix buses, vocals, drums, and more. All with the famous transparency of Weiss.
Macro magic: DS1 to the power of five
Weiss DS1-MK3 to the power of five – plus absolute ease of use. Weiss DS5 gives you the unique ability to control five powerful bands of DS1-MK3 units with one macro. The potential is potent and palpable. You can quickly get started with professionally designed and fully tweakable presets. While the more advanced controls are set in the preset, you can click the DS1 button and open each band’s full and complete DS1-MK3 to see all the options available to you. In most cases, however, it will be the macro controls that help you find the sound you’re seeking.
Fixed an issue that could cause an unwanted fade-in on start-up.
Console 1 System:
The legacy preset system is now disabled for good.
Fixed an issue that could cause the On-Screen Display to crash under certain conditions. This was most evident in Pro Tools, but could happen in other DAWs too.
Fixed an issue that caused the On-Screen Display to crash when pressing Copy on a Limited Track with a Console 1 Channel Mk I/II unit.
Fixed an issue that caused stereo output meters to only display left channel information on the displays on both Console 1 Channel Mk III and Fader Mk III.
Fixed an issue that caused the values of a MIDI module to be reset when another module was loaded.
Fixed an issue that could cause the On-Screen Display to stop responding when switching to Apollo Central and back.
Fixed an issue that caused a favorite track to be selected when turning a section On/Off on a non-favorite track while in Favorites Mode.
Fixed an issue that could cause an error message specific for Logic Pro to appear in other DAWs.
Deesser:
Fixed a rare issue that could cause the plug-in to crash if it was processing while the UI was unresponsive.
Flow Mixing Suite:
Added a new Flow Pack from David Gnozzi (MixbusTv): MixbusTv Modern Production 2.
Added an All category to the Flow Selector.
Plug-ins in the Add Plug-in menu is now sorted alphabetically.
Fixed an issue where Flow Mixing Suite could end up installing plug-ins the user has no licenses for.
Focusing Equalizer:
Fixed an issue causing the Stereo indication to be inverted (mono was indicated as stereo and vice versa).
Modular:
Added a sidechain switch to the British Class A Compressor module, allowing the user to choose between internal and external sidechain.
Fixed an issue causing the notes below C1 to be mirrored when using glide in the Model 72 Synthesizer System Noise module.
Vocal Tuner:
Fixed a regression issue causing some of the disabled controls to appear as enabled after getting a mouse-over, even though they were still disabled.
1 - Immersive 4.3-inch high-resolution display
From metering to EQ curves to inspiring graphics and visualizations that keep you focused on your music.
2 - Touch-sensitive Analog Feel knobs
They feel analog because they are. Control effects & more with a high-end, pro audio gear feel.
3 - Omni Knob
The big knob at the heart of the unit has two main uses: scrolling through lists and affecting sound & volume.
4 - Contextual multicolored LED lights
Bright RGB LEDs that change color with the screen view to ensure you always know exactly what you’re controlling.
Release Notes for version 2.6.34 (Released on April 15th, 2026)
New hardware products:
Flow Studio (Includes Flow Studio Suite software bundle)
Single Unit Stand (compatible with Console 1 Channel Mk III, Console 1 Fader Mk III, and Flow Studio)
New software products:
Stereo Delay
Core Dimensions
All products:
Added Copy/Paste to Plug-in Preset Browser. This feature makes it possible to copy the state of a plug-in to another instance of the same plug-in. This works for instances running inside Flow Mixing Suite and Flow Mastering Suite as well.
Console 1 System:
Copy individual sections works again.
Console 1 On-Screen-Display:
Changed name to Softube On-Screen-Display.
Dimensions:
New algorithm: Chamber. This is an algorithmic and ideal realization of a Chamber reverb. See the user manual for more information.
Echoes:
Fixed an issue that could cause a crash in Digital Performer when using the software renderer.
Equalizers:
Added EQ curves support in Pro Tools.
Flow Mixing Suite and Flow Mastering Suite:
Added advanced Flow Control designer view. This is activated via the plug-in's settings menu. Note: The Flow Control designer view is currently in beta.
Improved warnings when it comes to mixed builds, missing licenses, and missing installers.
Fixed a case where it was possible to create an invalid signal chain.
Flow Mastering Suite:
Fixed so DAW tempo sync works for Bus Processor when running it in Flow Mastering Suite.
Flow Mixing Suite:
Added Core Dimension and Stereo Delay to the subscription.
Added all Flows that are included with Flow Studio.
Weiss DS5 Multiband Compressor:
Fixed an issue causing reported latency to be incorrect when rendering in Wavelab.
Release Notes for version 2.6.35 (Released on April 27th, 2026)
Equalizers, Flow Mastering Suite, Flow Mixing Suite:
- Fixed an issue that could cause keyboard input to be kept by the plug-in after the "add plug-in" menu was closed (the Load Vintage Equalizer menu in the Equalizers case). This would for instance hinder spacebar to be used for transport start/stop in the DAW until the plug-in window was refocused (either by clicking on it or by closing it and opening it again).
Console 1 System:
- Fixed compatibility with Plugin Alliance plug-ins that broke after their 2026 March update.
- Improved compatibility with FabFilter Pro-Q 4 "Instance List" feature which allows multi plug-in control.
Flow Studio:
- Fixed an issue that could cause the hardware to crash if large amount of MIDI data was sent at start-up, for instance via Console 1 Fader.
- Fixed an issue that caused the "Register your unit" dialogue in the On-Screen Display to open the wrong "get started with your unit" web page.
Console 1 On-Screen-Display:
- Fixed an issue that could cause the connection to the On-Screen Display to be lost when restarting a project in Pro Tools.
- Fixed an issue that could hinder the Softube On-Screen Display from ending up in the startup/login items on Mac after updating the application to the new name. This would in turn mean that an application with the old name (Console 1 On-Screen Display) was erroneously started even though it should have been removed in its entirety.
Release Notes for version 2.6.37 (Released on May 27th, 2026)
New product:
Bus Processor 670
Updated: 27 May 2026
- Our modern take on the legendary dual-channel variable-mu tube compressor
- The distinctive weight, warmth, and authority of the original for any and every bus
- Use it as a native plug-in or in Flow® Studio & Console 1 Mixing System
This plug-in is the product of our quest to discover where the magic of the mythological 670 hardware lies – and distil it. Modern, musical, and that special kind of magical, Bus Processor 670 delivers the unmistakable weight and warmth of the original. Plus, added saturation control, spatialization, and sidechain features for a flexible, modern workflow.
Finally, this rare, sought-after, and expensive dual-channel variable-mu tube compressor has transcended its original form so it can transform your mix or master. Simsalabim.
Magic Bus
Pricey and prized, fewer than a thousand 670s were ever made, and it was originally used as a mastering limiter for vinyl. With a characteristic vibe heard from Motown to Abbey Road, the unit is known for adding sound and harmonic distortion even when you don’t do a thing. If you push it, it gives pump but – at its more subtle settings – the 670 is great for gluing things together in a warm, musical way. You can see why it’s useful on everything from the mix bus to drums, vocals, and electric guitars, and has earned its place in top studios worldwide.
What’s cool about variable-mu?
Variable-mu compression uses tubes to alter gain, and the compression ratio changes dynamically in response to the signal level. The result is the harmonically rich and musical compression that has made the original 670 legendary. This style of vintage processing is great for gluing things together with analog warmth and cohesion, making it ideal for mastering as well as mixing.
New Magic
To create our Bus Processor 670 plug-in, we took the finest elements of the original and added our own wouldn’t-it-be-cool-if ideas to make a totally unique tone machine. Starting with full control of saturation points with dedicated knobs for tube and transformer saturation, and a calibration knob to influence the unique compression-dependent saturation of the variable-mu architecture. We also included sidechain options that give you control over filters, tone shift and mono/stereo linking, as well as separate outputs for M/S channels. Then there are the new spatialization features that include air band, mono maker, and stereo widening knob.
Full-featured but dead-simple to use, Bus Processor 670 lets you find the magical sound of the 670 for yourself, with a workflow fit for your modern studio.
In short
- A dual-channel variable-mu tube compressor
- The essence of the legendary 670, distilled and made modern
- Unmistakably weighty and warm – just like the original hardware
- Added modern features, like saturation controls and spatialization features
- Enhanced workflow for modern engineering and production processes
- Console 1-ready: compatible with our mixing system hardware
- Flow® Studio-ready: compatible with our Flow Studio hardware
- Included in Flow® Mixing, Mastering & Complete Suite subscriptions
In this type of compressor, there are a lot of things that can (and will) distort. We have tried to separate the main types of distortion into three different types:
Cross-over distortion from the push-pull stages in the variable-mu design. This distortion depends on the amount of gain reduction and can be controlled with the Calibration control. It can be eliminated by switching Comp Mode to Modern.
Transformer distortion. This distortion happens mainly at bass frequencies and is usually very subtle, but we added the possibility to exaggerate it using the Transformer knob.
Tube saturation. There are tubes throughout this design, and not all tube saturation leads to a "distorted sound"; some saturation can, for example, simply limit the maximum amount of gain reduction the compressor has. The Tube Stages knob controls the audible saturation—the distortion. From subtle to... a lot.