Вести с полей о муз софте (4 онлайн)
- Автор темы Kilgor Traut
- Дата начала
Нету) расходимся)
На самом деле можно скачать их ASC и там уже установить демку. Никаких ограничений, но через 20 мин звук отключается.
Да, у артурии как и у корга щедрые/вменяемые демки.
Я в дороге просто. Как буду у компа конечно опробую чего там.
Ну Sylenth1 наше всё)
самый лучший бас в софте)
Цены правда на Arturia забористые какие-то
В INTRO версию входят:
- Analog Lab Intro
- Mini V
- Jun-6 V
- Prophet-5 V
- DX7 V
- Pure LoFi
- MiniFreak V
- Stage-73 V
- Augmented Grand Piano
- Augmented Strings
Что-то маловато)
Переехали сюда https://rmmedia.ru/threads/156181/
самый лучший бас в софте)
Цены правда на Arturia забористые какие-то
В INTRO версию входят:
- Analog Lab Intro
- Mini V
- Jun-6 V
- Prophet-5 V
- DX7 V
- Pure LoFi
- MiniFreak V
- Stage-73 V
- Augmented Grand Piano
- Augmented Strings
Что-то маловато)
Переехали сюда https://rmmedia.ru/threads/156181/
Последнее редактирование:
Только 50% сэйл полного бандла дожидаться ). Каждый год вроде стабильно они делают.
Ну погодите - был банк отШляйза что то там Vol.3 - там был патч - с 3 мя слоями -вот там все отлично просто звучало и жирно очень даже. Но да - таких мало там петчей было, еще конечно же легендарный Darude - но там вроде др банк уже - давно было ))
Я ж и говорю, от Vengeance. Это Шляйз.
Для вируса была серия Incubation, а для джипи - X-ploration (3 возможно да, самая клевая была)
Риалфонс на минималках от Lewitt
www.lewitt-audio.com
14 days trial
Space Replicator - Virtual acoustic spaces for mixes you can trust.
This powerful plugin lets you experience real spaces on your headphones as if you were there—be it a million-dollar mixing studio or a car. Perfect for mixing and mix translation checks.
14 days trial
Последнее редактирование:
Oberheim TVS Pro - https://www.gforcesoftware.com/products/tvs-pro/
THE OBERHEIM TVS PRO – A DUOPHONIC LEGEND, REBORN WITH MODERN POWER
In 1975, Tom Oberheim revolutionised synthesiser design with the original TVS – Two Voice Synthesizer. By combining two SEMs and a keyboard, he introduced true duophony to the world—enabling musicians to play two independent voices simultaneously and explore harmonically rich, evolving soundscapes. It was a bold step forward, embraced by visionaries including Martin Gore, Adrian Utley, Peter Baumann, Lorn, The Prodigy, and Nils Frahm.
Decades later, the TVS Pro modernised that vision, adding a built-in sequencer, extended modulation, and refined controls—all while staying true to its unmistakable sonic DNA.
Now, with the GForce Oberheim TVS Pro plugin, this landmark instrument enters a new era. Developed in collaboration with Oberheim, this recreation captures not only the depth, warmth and character of the original, but also the spirit of innovation that made it extraordinary.
Whether you’re a long-time Oberheim fan or new to SEM-based synthesis, TVS Pro is a tool you’ll return to again and again—for its tone, flexibility, and sheer playability.
AN UNMISTAKABLE SOUND THAT’S MORE THAN THE SUM OF ITS PARTS
At the heart of the TVS Pro are two fully modelled SEMs, each offering:
We’ve even included over 400 converted patches from the GForce SEM, alongside 220+ brand-new sounds—giving you immediate access to a world of characterful tones.
THE OBERHEIM TVS PRO – A DUOPHONIC LEGEND, REBORN WITH MODERN POWER
In 1975, Tom Oberheim revolutionised synthesiser design with the original TVS – Two Voice Synthesizer. By combining two SEMs and a keyboard, he introduced true duophony to the world—enabling musicians to play two independent voices simultaneously and explore harmonically rich, evolving soundscapes. It was a bold step forward, embraced by visionaries including Martin Gore, Adrian Utley, Peter Baumann, Lorn, The Prodigy, and Nils Frahm.
Decades later, the TVS Pro modernised that vision, adding a built-in sequencer, extended modulation, and refined controls—all while staying true to its unmistakable sonic DNA.
Now, with the GForce Oberheim TVS Pro plugin, this landmark instrument enters a new era. Developed in collaboration with Oberheim, this recreation captures not only the depth, warmth and character of the original, but also the spirit of innovation that made it extraordinary.
Whether you’re a long-time Oberheim fan or new to SEM-based synthesis, TVS Pro is a tool you’ll return to again and again—for its tone, flexibility, and sheer playability.
AN UNMISTAKABLE SOUND THAT’S MORE THAN THE SUM OF ITS PARTS
At the heart of the TVS Pro are two fully modelled SEMs, each offering:
- Two VCOs with pulse and sawtooth waveforms
- The legendary Multi-Mode Filter
- Two ADS envelope generators
- One LFO
We’ve even included over 400 converted patches from the GForce SEM, alongside 220+ brand-new sounds—giving you immediate access to a world of characterful tones.
MeldaProduction MMatcher
MMatcher | MeldaProduction
The Ultimate Spectrum-Matching Tool MMatcher is a revolutionary plugin designed to streamline your audio production workflow by providing precise spectrum, loudness, and stereo field matching. It can…
www.meldaproduction.com
Addictive Drums 2 Expansion
Studio Gröndahl is one of Sweden’s most revered recording studios, known for its rich analog sound and world-class acoustics.
Located in the heart of Stockholm’s suburban Gröndal village, this legendary space has hosted some of the most influential artists in metal, heavy, and rock, including Sepultura, Carcass, The Hives, and Bloodbath.
The Modern Heavy ADpak was captured together with David Castillo, renowned worldwide for his work with prestigious bands such as Opeth, Whitechapel, Katatonia, Carcass, Dark Tranqullity, Leprous, Soen, Soilwork, Candlemass, Bloodbath and many more.
Modern Heavy
https://www.xlnaudio.com/products/addictive_drums_2/adpak/modern_heavyStudio Gröndahl is one of Sweden’s most revered recording studios, known for its rich analog sound and world-class acoustics.
Located in the heart of Stockholm’s suburban Gröndal village, this legendary space has hosted some of the most influential artists in metal, heavy, and rock, including Sepultura, Carcass, The Hives, and Bloodbath.
The Modern Heavy ADpak was captured together with David Castillo, renowned worldwide for his work with prestigious bands such as Opeth, Whitechapel, Katatonia, Carcass, Dark Tranqullity, Leprous, Soen, Soilwork, Candlemass, Bloodbath and many more.
Splice купил Spitfire Audio…
“We have such a shared passion for the creators we serve, the values match,” adds Srivastava. “One of the things that I’ve been learning about our customers is they want more creative control, and they want Splice and the sounds that we have deeper into their workflow. We’ve been thinking about all the different ways to do that. When I think about Spitfire [Audio], the tools you’ve built, the user experience, the creative control you’ve given users, making that accessible to the Splice community will be very powerful. Most important is what we can build together. In the next six to nine months, we’re going to see some really cool new stuff coming out.”
Bringing Splice and Spitfire Audio together isn’t just about offering more sounds; it’s about helping creators find the right sound at the right moment, whether that’s a kick one-shot with the perfect amount of punch or a lush string quartet that brings a scene to life. In the near future, we’ll be bringing the best of both companies to more creators and more workflows around the world.
This partnership lays the foundation for the next generation of creative tools: by pairing Splice’s ethical AI-powered discovery engine with Spitfire Audio’s world-class sound engine, we’re setting the stage for what’s next in music creation. Whether you’re scoring films, producing chart-toppers, or just starting your first track, Splice and Spitfire Audio remain dedicated to helping you find better ways to bring your ideas to life.
There’s a lot more to come and we can’t wait to hear what you’ll create with us.
If you have any questions, please visit our FAQs here
Splice and Spitfire Audio are now under one roof. Two pioneers in music creation are joining forces to build the future with richer sounds, smarter tools, and endless possibilities.
Spitfire Audio (including LABS) has been acquired by Splice. Splice has become a cornerstone of modern music production and is home to the industry’s highest-quality royalty-free sample catalogue, where one million sounds are downloaded every day by a global community of over 10 million music producers and creators. Both companies have played a transformative role in defining the music creation landscape since their inception, making high-quality sounds more accessible for creators everywhere. Now, we’re coming together to build innovative new products that will support even more creators.Imagining the future of music creation
Spitfire Audio co-founder Paul Thomson and Splice CEO Kakul Srivastava met up in Air Studios this past weekend to share their excitement and talk about what we might build together.
Paul Thomson meets Kakul Srivastava at Air Studios
“First of all, I’m not going anywhere. I’m really excited about the future and about what we’re going to be able to build together,” says Thomson. “My two passions have always been, since I first started writing music commercially, creating sounds for me to use in my own music, and the actual composition work itself. So, I’m going to enjoy doing more composition work and getting fulfilment from that creativity, but also, I love making sample libraries and I love making musical tools that people can use to express their creativity. They’re both equally important to me. We’re still going to be providing perpetual licence products.”“We have such a shared passion for the creators we serve, the values match,” adds Srivastava. “One of the things that I’ve been learning about our customers is they want more creative control, and they want Splice and the sounds that we have deeper into their workflow. We’ve been thinking about all the different ways to do that. When I think about Spitfire [Audio], the tools you’ve built, the user experience, the creative control you’ve given users, making that accessible to the Splice community will be very powerful. Most important is what we can build together. In the next six to nine months, we’re going to see some really cool new stuff coming out.”
A glimpse into what’s to come
Splice and Spitfire Audio have each built platforms grounded in high-quality sound, innovative software, and a belief that technology can unlock new levels of creative expression.Bringing Splice and Spitfire Audio together isn’t just about offering more sounds; it’s about helping creators find the right sound at the right moment, whether that’s a kick one-shot with the perfect amount of punch or a lush string quartet that brings a scene to life. In the near future, we’ll be bringing the best of both companies to more creators and more workflows around the world.
This partnership lays the foundation for the next generation of creative tools: by pairing Splice’s ethical AI-powered discovery engine with Spitfire Audio’s world-class sound engine, we’re setting the stage for what’s next in music creation. Whether you’re scoring films, producing chart-toppers, or just starting your first track, Splice and Spitfire Audio remain dedicated to helping you find better ways to bring your ideas to life.
There’s a lot more to come and we can’t wait to hear what you’ll create with us.
If you have any questions, please visit our FAQs here
Всем привет! Теперь эти замечательные плагины доступны по очень хорошей цене.
CEDAR plugins
CEDAR Icons are a range of high performance audio plug-ins for noise suppression, audio restoration and mastering.
cedaraudio.com
Я уж подумал ещё уронили цены, но нет, эти уже с полгода. Были да недоступны вообще.
Бандл Cedar Studio 9 стоил $4999 )
Forensic Enhance был вообще только для спец. контор, частных и несчастных детективов по цене $2999
Теперь его отправили в широкий доступ и цена стала $325 £249.
В закрытой части сайта, по паролю, остаётся Cedar Trinity для тех же контор, по тем же ценам. Но алгоритмы там те же что и в Enhance, просто всё в отдельном окне, где всё под рукой для таких работ и визуализация (своего рода аудиоредактор для копов)
Последнее редактирование:
Криативная тулса подоспела)
Oxydsp OxyWave - https://oxydsp.com/products/oxywave
Тема для обсуждения тут https://rmmedia.ru/threads/156315/
OxyDSP presents OxyWave - a novel plugin for sample-accurate & beat-synced MSEG LFO modulation - perfect for:
Oxydsp OxyWave - https://oxydsp.com/products/oxywave
Тема для обсуждения тут https://rmmedia.ru/threads/156315/
OxyDSP presents OxyWave - a novel plugin for sample-accurate & beat-synced MSEG LFO modulation - perfect for:
- Ducking
- Gating
- Beat Jump & Shuffle
- Stutter, Repeat & Stretch
- Scratch & Tape Stop
- Half Time
- Frequency Shifting
- Filter Sequencing with 18 filter types
- Amplitude & Ring Modulation
- Panning
- Imaging
- and more.
- Up to 3x Multiband (HQ Linear Phase crossover)
- Up to 3x Series
- Up to 3x Parallel
- Left/Right
- Mid/Side
Quantum Granulator by GS DSP (granular fx)
Из интересного нмв, хороший набор разных модуляторов.
Price: intro 35$ (reg 50$)
https://gs-dsp.com/products/quantum-granulator/
(Кщё у конторы есть парочка интересных fx-ов, вроде не упоминались, например MagicBlur (spectral blur & freeze FX, цена правда....)
Из интересного нмв, хороший набор разных модуляторов.
Price: intro 35$ (reg 50$)
https://gs-dsp.com/products/quantum-granulator/
(Кщё у конторы есть парочка интересных fx-ов, вроде не упоминались, например MagicBlur (spectral blur & freeze FX, цена правда....)
Интерфейс конечно ппц…. Больше смахивает на бесплатный))
Как по мне самый крутой грянуляр это AudioDamage Quanta2
А как по мне это кима капибара, выпущенная ещё на рубеже тысячелетий )
Даже если супер пупер - бесплатно не взял бы такое - этоинтерфейс из 90х - противно смотреть просто даже.
MAKE BELIEVE STUDIOS CGII - https://www.makebelievestudio.com/cgii
Chris Gehringer Model 2
Start price 89$ (regular 179$)
MAKE BELIEVE STUDIOS DB Verb - https://www.makebelievestudio.com/db-verb
David Bendeth's DB Verb
Start price 89$ (regular 179$)
MAKE BELIEVE STUDIOS The Philly DI - https://www.makebelievestudio.com/philly-di
The classic Philly sound.
Start price FREE - забирать тут https://mhsecure.com/products/software/PhillyDI_v4.html
Chris Gehringer Model 2
Start price 89$ (regular 179$)
CGII is a mastering dynamics finishing toolkit.
CGII is comprised of two uniquely complementary dynamics enhancement sections, a new True Peak Lim-
iting stage, DC blocking and dither with LUFS/true peak metering via tube filament displays, all operating
at up to 16x oversampling.
The design prioritizes musical integrity and ease of use, with the ability to add effective loudness, weight
and definition without dimishing spatial depth and visceral impact the way traditional dynamics processors
do.
CGII is comprised of two uniquely complementary dynamics enhancement sections, a new True Peak Lim-
iting stage, DC blocking and dither with LUFS/true peak metering via tube filament displays, all operating
at up to 16x oversampling.
The design prioritizes musical integrity and ease of use, with the ability to add effective loudness, weight
and definition without dimishing spatial depth and visceral impact the way traditional dynamics processors
do.
MAKE BELIEVE STUDIOS DB Verb - https://www.makebelievestudio.com/db-verb
David Bendeth's DB Verb
Start price 89$ (regular 179$)
The processor strips are labeled SML, MED, LRG and XTRA!, roughly indicating the amount of reverberant
gnarl provided by the settings in each strip.
1. The source signal feeds all four fx processor strips directly, and each of the strips runs in parallel to
each other. Solo and Cut (mute) switches are included for each strip.
2. Each processor strip hosts three unique reverb program Settings, selectable by the Settings switch
to the left of each fader.
3. Each includes a thumbwheel control to reduce the decay time of the selected reverb.
4. The output of each strip is mixed via the faders.
5. The summed processor output feeds the master strip on the right. The master section includes a
global pre-delay, a high shelf filter with three knee frequency options, a variable high pass filter,
and a dry/wet blend control.
David’s modus operandi is to start with the SML settings to the left and add progressively gnarlier effects
to taste with the strips to the right, automating solo, cut, faders and filters as the mix demands.
gnarl provided by the settings in each strip.
1. The source signal feeds all four fx processor strips directly, and each of the strips runs in parallel to
each other. Solo and Cut (mute) switches are included for each strip.
2. Each processor strip hosts three unique reverb program Settings, selectable by the Settings switch
to the left of each fader.
3. Each includes a thumbwheel control to reduce the decay time of the selected reverb.
4. The output of each strip is mixed via the faders.
5. The summed processor output feeds the master strip on the right. The master section includes a
global pre-delay, a high shelf filter with three knee frequency options, a variable high pass filter,
and a dry/wet blend control.
David’s modus operandi is to start with the SML settings to the left and add progressively gnarlier effects
to taste with the strips to the right, automating solo, cut, faders and filters as the mix demands.
MAKE BELIEVE STUDIOS The Philly DI - https://www.makebelievestudio.com/philly-di
The classic Philly sound.
Start price FREE - забирать тут https://mhsecure.com/products/software/PhillyDI_v4.html
The Philly DI is a plug-in based on the rare custom-built DI created by Joe Tarsia, founder and owner of
Sigma Sound Studios (Philadelphia/New York).
“In 1967, before stock consoles and turn key studios, I and some believers, wire by wire, component by
component, built Sigma’s first studio. Primitive by todays’ standards the console had just 12 inputs that fed
a then state-of-the-art 8 track tape machine. It was then that I built the first Sigma DI. We wanted a general
purpose direct box that would not only direct inject electric keyboards, but more importantly would get
the best out of the electric bass and guitar. The unexpected results were astonishing: the Sigma DI quickly
became the favorite of the bass and guitar players.
Always looking for the better mousetrap, as new DIs came to market we put our box to the test. In every
head to head comparison with both active and passive store bought DIs, the Sigma box came out on top.
You know the sound; you hear it in the recordings of the Jays, Lou Rawls, Teddy Pendergrass, the Stylistics,
the Spinners, MFSB, Grover Washington Jr and Patti LaBelle. It’s ‘The Sound of Philadelphia’.
The day Sigma opened its doors and the 35 years that followed, it was the only DI I used for recording
musicians like Ronnie Baker, Gerald Veasley, Steve Beskrone, Bob Babbitt, Anthony Jackson and many
others.
It was only at the urging of a musician friend, who wanted a Sigma DI of his own that I considered building a
few. Unfortunately I found that the heart of the Sigma DI, a high quality audio transformer, had been out of
production for years and is now just about impossible to find. We spent months searching supply houses,
the web and electronic equipment manufacturers to find just 50 of the rare transformers.” - Joe Tarsia
Sigma Sound Studios (Philadelphia/New York).
“In 1967, before stock consoles and turn key studios, I and some believers, wire by wire, component by
component, built Sigma’s first studio. Primitive by todays’ standards the console had just 12 inputs that fed
a then state-of-the-art 8 track tape machine. It was then that I built the first Sigma DI. We wanted a general
purpose direct box that would not only direct inject electric keyboards, but more importantly would get
the best out of the electric bass and guitar. The unexpected results were astonishing: the Sigma DI quickly
became the favorite of the bass and guitar players.
Always looking for the better mousetrap, as new DIs came to market we put our box to the test. In every
head to head comparison with both active and passive store bought DIs, the Sigma box came out on top.
You know the sound; you hear it in the recordings of the Jays, Lou Rawls, Teddy Pendergrass, the Stylistics,
the Spinners, MFSB, Grover Washington Jr and Patti LaBelle. It’s ‘The Sound of Philadelphia’.
The day Sigma opened its doors and the 35 years that followed, it was the only DI I used for recording
musicians like Ronnie Baker, Gerald Veasley, Steve Beskrone, Bob Babbitt, Anthony Jackson and many
others.
It was only at the urging of a musician friend, who wanted a Sigma DI of his own that I considered building a
few. Unfortunately I found that the heart of the Sigma DI, a high quality audio transformer, had been out of
production for years and is now just about impossible to find. We spent months searching supply houses,
the web and electronic equipment manufacturers to find just 50 of the rare transformers.” - Joe Tarsia
Strymon Cloudburst Ambient Reverb Plugin - https://www.strymon.net/product/cloudburst-plugin/
Ambient reverb plugin with unique Ensemble engine.
Price $79.00
Ambient reverb plugin with unique Ensemble engine.
Price $79.00
Beyond The Clouds
Cloudburst produces some of the most gorgeous ambient reverb tones and soundscapes you’ve ever heard, including a whole range of captivating sounds never previously available from a plugin.
But how could a reverb plugin deliver something truly new?
The answer is Cloudburst’s breakthrough Ensemble engine.
Harmonic Magic
Cloudburst’s Ensemble effect works by continuously analyzing 48 different frequency bands in the source audio, and then generating corresponding upper harmonic partials of what it finds in each band.
The result is a gorgeous synthesized string ensemble-like expansion of your reverberated signal that creates unique new textures, taking your tracks to a new and unforgettable level.
Try Ensemble on any acoustic instrument or vocal for a vast new palette of sounds. Instantly create lush string voices, or use Ensemble subtly to add harmonics and movement to your ambient reverb soundscapes.
Effortless Sound Design
Designed to sound musical at any setting, Cloudburst’s elegantly simple and intuitive controls make it easy to find the perfect ear-catching and inspiring sound for your track.
Experimenting with the controls is addictively fun, and it may even lead you beyond the sound you had in mind to something you hadn’t even imagined.
Instant Ambient Pad
Infinite reverb sustain is available at a click of Cloudburst’s Hold button, so any sound you feed into Cloudburst can instantly create an ambient pad.
A switch selects between Infinite and Freeze functionality for the Hold button, and both options have the power to transform your audio in different ways: Infinite allows your reverbs to sustain indefinitely, with each new note you play adding to the reverb signal.
Freeze also delivers infinite sustain, but allows you to play new and unprocessed notes on top of the sustained signal — without adding to the reverb.
Lush Modulation
The lush stereo effects created by modulating the lengths of a reverb’s delay lines can add movement and interest to the overall reverb sound, and Cloudburst takes it to the next level — especially when used together with Ensemble!
The Mod control operates as modulation depth from minimum to 12 o’clock, and as modulation speed from noon to maximum, where warbly vintage sci-fi pitch modulation can be found.
From Small Rooms To Infinite Spaces
As you turn the Decay control, numerous internal parameters are automatically adjusted, creating musically responsive spaces of any size at the turn of a single knob.
From exquisitely tuned and natural sounding small spaces to expansive atmospheres not found on earth, even tiny adjustments to the Decay control can yield noticeable changes to the character of the reverb.
Lost In The Clouds
Cloudburst gives you gorgeous and mesmerizing reverbs with luxurious decay for days.
The immense ambient reverbs found at Cloudburst’s higher decay settings deliver hypnotically beautiful tails that stay musical even at the most extreme settings.
Cloudburst produces some of the most gorgeous ambient reverb tones and soundscapes you’ve ever heard, including a whole range of captivating sounds never previously available from a plugin.
But how could a reverb plugin deliver something truly new?
The answer is Cloudburst’s breakthrough Ensemble engine.
Harmonic Magic
Cloudburst’s Ensemble effect works by continuously analyzing 48 different frequency bands in the source audio, and then generating corresponding upper harmonic partials of what it finds in each band.
The result is a gorgeous synthesized string ensemble-like expansion of your reverberated signal that creates unique new textures, taking your tracks to a new and unforgettable level.
Try Ensemble on any acoustic instrument or vocal for a vast new palette of sounds. Instantly create lush string voices, or use Ensemble subtly to add harmonics and movement to your ambient reverb soundscapes.
Effortless Sound Design
Designed to sound musical at any setting, Cloudburst’s elegantly simple and intuitive controls make it easy to find the perfect ear-catching and inspiring sound for your track.
Experimenting with the controls is addictively fun, and it may even lead you beyond the sound you had in mind to something you hadn’t even imagined.
Instant Ambient Pad
Infinite reverb sustain is available at a click of Cloudburst’s Hold button, so any sound you feed into Cloudburst can instantly create an ambient pad.
A switch selects between Infinite and Freeze functionality for the Hold button, and both options have the power to transform your audio in different ways: Infinite allows your reverbs to sustain indefinitely, with each new note you play adding to the reverb signal.
Freeze also delivers infinite sustain, but allows you to play new and unprocessed notes on top of the sustained signal — without adding to the reverb.
Lush Modulation
The lush stereo effects created by modulating the lengths of a reverb’s delay lines can add movement and interest to the overall reverb sound, and Cloudburst takes it to the next level — especially when used together with Ensemble!
The Mod control operates as modulation depth from minimum to 12 o’clock, and as modulation speed from noon to maximum, where warbly vintage sci-fi pitch modulation can be found.
From Small Rooms To Infinite Spaces
As you turn the Decay control, numerous internal parameters are automatically adjusted, creating musically responsive spaces of any size at the turn of a single knob.
From exquisitely tuned and natural sounding small spaces to expansive atmospheres not found on earth, even tiny adjustments to the Decay control can yield noticeable changes to the character of the reverb.
Lost In The Clouds
Cloudburst gives you gorgeous and mesmerizing reverbs with luxurious decay for days.
The immense ambient reverbs found at Cloudburst’s higher decay settings deliver hypnotically beautiful tails that stay musical even at the most extreme settings.